Sri Lankan artist exhibit her work at the Migrant Artists’ Show in the UK... 

Jayamini de Silva, a Sri Lankan living in Newcastle, United Kingdom, exhibited her work at The Holy Biscuit Gallery, Newcastle upon Tyne from June 7-15. The Migrant Artists’ Show is a collaboration of artists of foreign origins practicing their trade in the UK.

Jayamini works with acrylic on canvas, ink on rice, stone colours on silk replicating “agony and ecstasy in the lives of women”. For this exhibition she has produced 18 pieces of artworks mainly based on a ‘Peacock’ theme. 

“In history, myth, legend and lore, the Peacock symbolism carries portents of: Nobility, Holiness, Guidance, Protection and Watchfulness. The beautiful and dramatic tail plumage of the peacock has made it a symbol of majesty and divinity in many cultures. It also represents benevolence, patience, kindness, compassion, good luck, prosperity, beauty and peace, and is considered generally to be a good omen.”

Peacocks are said to have the ability of consuming poisonous plants and venomous snakes which makes colours of their plumage all the more vibrant and beautiful, just as who conquer the evils of a poisonous mind from greed, hatred, attachment, desire, lust and rage (lobha, dvesha, moha, ragha, kaama and krodha) achieve path of liberation and purity.

Jayamini was born and brought up in Ambalangoda and studied at Dharmashoka College. She obtained her Bachelor’s degree in Chinese Art and Calligraphy from the Chinese Academy of Fine Art (CAFA) in Beijing and her Masters degree in Art Conservation at University of Northumbria, UK. Jayamini served as a lecturer in Modern languages at the University of Kelaniya and the Department of Fine Art at University of Peradeniya. She was the illustrator of the highly circulated ‘Child Abuse’ poster produced by the National Child Protection Authority (NCPA). Currently as well as being a practicing artist she teaches Asian Art including Buddhist, Hindu, Islamic and Chinese art in primary and secondary schools and adult learning centres in and around North East England.

Expressing her views Jayamini says, ‘I am happy to fly the flag for the mother country at any given time. My work consisting of a combination of feminist as well as Asian cultural values seems to be attracting a lot of positive sentiments and great reviews. Somewhere in the near future, I'm looking at exhibiting my work in Sri Lanka’.